So
what you do is get a 60a bus over to Duke Street from the City
Centre. Keep going right along Duke Street until you get past the
remaining houses and the industrial park. The bus will eventually
take a second right at a large roundabout. You'll not be able to miss
it. It's beside another industrial park. You'll want to get off the
bus at the next stop and then wait for the 257A. They're not common,
one every half an hour (if you're lucky) and only between 8 A.M. and
5.30 P.M. If you've missed it and have to wait you could do worse
than Babs Café across the road. Go get something delicious to eat.
Don't get me wrong her cuisine is part of the cultural dietary
pandemic that's reduced life expectancy in the areas of the east end
to that of cavemen, but her deep fried pizza slice on a roll with
chips is well worth the fucking risk.
Anyway,
once you're on the 257A you'll head south east along an empty area
for about three quarters of a mile. The bus will then take a sharp
left out of that onto Howard Road, a narrow street bordered by a long
line of tenement houses with an equally long line of abandoned shops
underneath. As far as I know those shops have always been shut down.
At the end of this street the bus will come out on top of a hill
overlooking another. This is an area known Murcroft. On that other
hill you'll see another large spiral of dirty tenements and a small
modern looking church. That's Grimry.
Get
off the bus at the next stop. That's close enough. You do not want to
go to Grimry. Trust me, it is, as its name implies, not a pleasant
place. No one wants to go to Grimry. Christ, the people who live
there tend get the hell out as quickly as they can. No one even wants
to stay in Grimry.
So
when you stand looking across the hill at the place it might think
that it doesn't look that bad. In fact when you ask people what's so
bad about it they usually couldn't tell you or just give you vague,
half remembered rumours about some horrible crime they might have
been told about as kids.
That
could be true, Grimry is not immune to Glasgow's violent nature but
it's not an exceptionally dodgy area. You don't hear about pitched
battles with cops or firebombed houses or pubs. Butchered thugs don't
turn up in the back of abandoned cars in the local Supermarket car
park. The place is quite unremarkable in that respect. From a
distance it looks like any other region of Glasgow and in many ways
it would be, if it was not for one thing. One tiny bit of cancer that
spread and metastasised throughout the larger city long ago.
That
tumorous growth is 29 Keller Row. A single tenement block that lies
at the southern edge of Grimry and stands alone on an empty street,
like a solitary red brick fang. The other blocks either collapsed or
were burned down in the last century and a half.
If
you were daft and did not heed my earlier advice you could easily go
down the concrete stairs that scar the hill at Murcroft and navigate
your way into Grimry. If you were the kind of person that has to see
for themselves, you might even negotiate your way through the manky
kids and the stray dogs and arrive at Keller Row. The first thing you
would notice was that the place is particularly empty. There are no
cars parked on that street, no birds chirping in the wires. You might
also notice, if you were paying close attention, that though about
half the paving stones are cracked and broken, no grass or weeds
spring up in the fissures. Nature seems unwilling to reclaim that
abandoned place.
If
you go that far you might also feel a sense of trepidation looking
down that long empty street. It looks out of place, almost like a
predator disguised as a street. If you were braver than most you may
even talk a walk down it. Perhaps you want a closer look at the ugly
mausoleum that is Number 29. Close up it becomes apparent that most
of the windows have been boarded up with metal. One on the top floor
has a broken frame containing no glass nor splinters of wood, just a
solid blackness. Only the top right floor has windows that remain in
tact. Behind the filthy glass you would see curtains, once red but
now almost indeterminate in colour.
If
you are lucky, or unlucky, you may see those curtains move. You may
even come to the conclusion that the house remains occupied. You
might be curious as to just who the fuck would live in such a midden.
Only
someone who was a bit mental might choose to step up the stairs into
that close. You definitely should not but if you do, you will know
instantly that you made a bad choice. Step across the threshold and
you'll feel the sharp chill that seeps into your bones and brain. You
can't help being affected. There's imagined whispers that echo from
behind the metal barricades in front of those empty and gutted
remains of homes. Hissing and threats leak out from behind the doors.
You may hear the weird toneless piping and the chanting of worship in
alien tongues. You may even wonder if those metal doors were there
to prevent squatters from getting in, or from something getting out.
That
would be a good question.
By
this point, if you have not turned and ran, you might as well
consider yourself as having gone totally mad. No sane human would
think twice about turning and running from the close after enduring
such initial dread. Anyone with half a brain would be out of there,
not thinking about climbing up those stairs. Its dark up there, it
stinks like a mortuary and creepy as fuck. By the first landing the
blackness looks tangible. Why would anyone choose to go further? I
mean, come on.
I
don't know, perhaps you're one of those adventurous types that chucks
themselves out of planes and can convince yourself that increasing
cold and thickening darkness is not in and of itself dangerous. You
might decided to press on. Ignoring the awful cramping dread that
balloons and crunches in your stomach, fighting against the animal
instinct to run, you might slowly, cautiously climb upwards to the
second floor.
As
you do, you will reach a moment of infinite dark, of a cold so sharp
and piercing and total that you will feel as if you have gone into
death. There will be an external stuttering and an internal
fluttering and then a shift occurs and once more you will begin to
see, and feel. You will think you've gone through something profound
and uncanny. Perhaps you have.
Perhaps
also, if you're lucky, you will not see the giant flabby child-thing
on the ground crying blood from eyeless sockets. If you are not that
lucky, beware. Do not focus on its mouth, it is a meaty whirl of
mandibles and suckers and sharp teeth. Also don't let it grab you.
That is important if you do not wish to have your memories flayed
from you and devoured by the vicious, mindless maggot-spawn it sweats
excitedly through bubbling boil-like pores.
If
you manage through that remember, you still have a choice, you don't
need to keep going, you could go back down stairs. No one will think
any worse of you. What do you think you are going to get at the end
of such an endeavour, given the weird shit you've endured so far?
What are you trying to prove? It might be you have a moment of
clarity, if so, use it, go down the stairs, go home, forget about all
of this.
If
you don't, if you are driven, compelled beyond reason to keep going
to the second floor then be warned. The second set of stairs leading
up from the landing are narrow and steep and as you ascend they give
way to mud and bone and flesh which remains alive somehow, and
squeals in agony. This screaming abattoir mountain must be climbed.
There are heads with mouths that bite and arms that still grab and
scratch. There is an ecosystem of skittering black bugs with bright
sharp stings and poisonous fangs within the stinking hill of filthy
cancerous meat. It is a great hive of their making and they will be
only to happy to add you to it. Remember, they swarm.
If
somehow you survive that and make it to the top you will see a great
vast plateau stretch out front of you. You will need to walk for
miles and miles. Eventually you will make it to the centre of this
charnal plane and will spot a great marble doorway. It is an endless
black, and highly polished, as reflective as a mirror. You must push
it open and proceed, if such a thing is still available to you.
From
there you will walk through a dimension of non-linear geometry and
non-causal event. You will hear your words before you speak them,
feel the pain of stumbles yet to come as you try to traverse stairs
that even Escher could not have imagined. Great vast pillars will
slide and collide in all directions in front and behind. You will
navigate through a forest of thrumming black pylons that seem to bend
to the will of other physical laws. You will feel like an insect in
some unknowable machine, like some experimental creature on a set of
infinitely bewildering stairs being observed by unseen numinous
horrors.
Keep
it up and one day you may finally unfold onto the second floor of
Number 29 Keller Row. An empty corridor on a building that should
have been long condemned. Two iron doors and a set of stairs going up
and the set behind going down, just as it should be. There are no
noises or chattering from those houses, no thickening blinding
darkness, even the air will feel as it should
If
it comforts you to consider it what came before a fleeting psychotic
episode, that is probably for the best. The possibility your
experience was real might further unsettle your flimsy grasp on
reality.
Just
go up the stairs, it's why you took the journey in the first place,
right?
On
the second landing before the top floor there is writing all over the
ceiling floor and walls. It looks as if written with a black felt
pen. and if you can manage to make it out you will see it is a list
of names, thousands and thousands of names, each one punctuated by a
tiny iron nail hammered into it. The walls and floor bristle with
them. You may wish to see if your own name is there but it won't be
and it'll take you days to check.
Just
go up the stairs.
And
finally you'll be on the top floor of number 29 Keller Row. The
poisonous heart of Glasgow's psychic corruption.
Here
you will see, to the left, the void. Gaze not into that abyss.
Instead turn your eyes towards the right and focus on the brown
painted frame and the black door covered with dust. Upon it is a name
plaque but the letters are not in any alphabet you've ever seen. You
may even suspect those glyphs are of ancient inhuman languages. You
might finally take stock, finally decide you've been a fool and run
down the stairs and out back into the light and fresh air.
You
might but then again you might not. You've came all this way, why
would you not find out what is behind it all? You could decide to
knock on that door. As from behind it you hear a heavy thumping,
coughing noise followed by a wet and hungry growling, you might
choose to steel yourself, to witness the unearthly horror that is
mere inches away. You might wait until the door handle turns, you
might even see what terror answers.
If
you do, tell me would you? Because I shat it and ran before it opened
the door.
Lol.
ReplyDeleteI love your stories. You are great at setting up a mood. These remind me of when I was a child and on Saturdays would watch "monster movies". Some were silly like the Godzilla movies. Some were creepy but kind of corny like Frankenstein or Werewolf ones. The ones I liked best and that would haunt me the most, especially at night, were ones with horrible, disgusting monsters. You'd have to watch 3/4 of the movie before they'd reveal the abomination, usually the result of some accident and radiation exposure, lol I believe most of these movies were made in the 50s. There were "Attacks" of giant things like leeches, and spiders, Gila monsters, men. Other horrors like slime people, or aliens with giant heads that injected you with alcohol from hypodermic syringe fingernails (lol, what?). One that still haunts me to this day was called "Terror from the Year 5000" about an ugly witchy warty looking woman who was disfigured from radiation (obviously) and made a time machine to travel back in time to when women were still beautiful and not poisoned by radiation. She'd hypnotize you with her sparkly fingernails, (lol) and while you were in a stupor she would use this mask thingy and steal your face! I always expected her to be hiding behind the bar in my basement! Goddamn.
Love these!
Why thank you Sandra, that's very kind of you.
ReplyDeleteYour childhood sounds similar to mine. We used to have, on BBC2, on a Saturday night a horror double bill which was always a RKO or American International Pictures creature feature, usually black and white, followed by an offering from the Hammer Studios which usually was some iteration of Christopher Lee's Dracula. Bride of... Revenge of... that sort of thing. They were always of varying quality, sometimes you'd laugh, or get a bit creeped out, nothing mind shattering really. Looking back on them it's amazing how silly and tame they are especially since some of them were filmed a year or two before The Exorcist and Texas Chainsaw Massacre, which still retain a lot of their power in comparison, probably because their was no real pretence at fantasy in them.
Again, thanks for the kind words. They are much appreciated.
Ah, The Exorcist. That one was too scary for me! Truthfully, I don't think I've ever watched the whole movie. I've read the book though. I was always afraid of "the devil" (having been raised in the Catholic Church) even to this day. If I have a nightmare and wake up and feel a malevolent presence in my room, I always think it's the devil (well, and sometimes aliens lol) and I repeatedly say "Hail Mary's" to make him leave. Haha I do it even in my dreams.
DeleteA while back you said the first 45 record you bought was Tubular Bells. I had that one too! On the flip side was a little tutorial or something about all the instruments used to record the song. Like "glockenspiel, guitar, and of course tubular bells". I'm still kind of creeped out by that song.
Hey, if you're on goodreads look me up and friend me.
Take care, Sandy